Abdoul Aziz Derme
Q: How would you describe your artistic process?
A: Personally, my artistic approach revolves around improvisation - [the] feeling and perception of things and the environment.
I base myself deeply on my roots and my family. I transcribe and transport the daily movements on stage, giving them a completely different color, shape and size.
Q: How has participation in the DWB Fellowship contributed to your artistic practice?
A: Participating in DWB [has] helped to enrich my dance practice but also, and above all, to question myself about the multiple ways of approaching and understanding dance movement. Also, undoubtedly, to theoretically improve the understanding of dance in general, especially through exchanges between dancers on knowledge and know-how.
Jade Charon
Q: How would you describe your artistic practice?
A: My artistic practice is rooted in the concept of intercession, where I strive to bridge gaps between various communities, audiences, and the higher power. Through my work, I seek to foster a deeper connection between individuals and the spiritual realm.
Q: How has participation in the DWB Fellowship contributed to your artistic practice?
A: My participation in the fellowship has been a blessing. More than just dance, I have found acceptance, community, and care which motivates me to continue on my journey to making more sincere and bolder work knowing that I have a community that has my back.
The Dancing While Black (DWB) Fellowship, is a yearlong fellowship for community-building, intergenerational exchange and visibility among Black dance artists whose work doesn’t fit neatly into boxes. Learn more about the program and our 2024 Fellows here.